Washington Winter Show 2024

47 LEFT TO RIGHT Fig. 10: Marquise. Konstantin Pavlovich Trofimov, artist (Russian, 1885–1944). Moscow, 1910s. Glazed earthenware. Gi of Madame Augusto Rosso, 1968 (27.36). Hillwood Estate, Museum & Gardens. Fig. 11: Two seated women in Russian costume. A ributed to Lidia Andreeva, sculptor (Russian, 1887–1953). Moscow, 1910s. Glazed earthenware. Gi of Madame Augusto Rosso, 1968 (27.35). Hillwood Estate, Museum & Gardens. LEFT TO RIGHT Fig. 8: Bell on a malachite stand. Moscow, 1840s. Gilt bronze, malachite. Gi of Madame Augusto Rosso, 1968 (14.238.1–2). Hillwood Estate, Museum & Gardens, photographed by Brian Searby. Fig. 9: Russian woman of the Don region. Imperial Porcelain Factory (Russian, 1744– present). Pavel Kamensky, sculptor (Russian, 1858–1923). Pavel Shmakov, modeler (Russian, active ca. 1900). St. Petersburg, 1910s. Porcelain. Bequest of Marjorie Merriweather Post, 1973 (25.429). Hillwood Estate, Museum & Gardens, photographed by Edward Owen. FASHION Hillwood’s collection of over 300 costumes and accessories fromMarjorie Post and her family represents early-mid twentieth century American fashion. Among the pieces in the collection are the custom silk satin wedding shoes commissioned for Post’s eldest daughter Adelaide Breevort Close’s (1908–98) January 1927 wedding in New York City